Detail of St. Barbara in the Cloisters, Sept. 2007
Lectern in the Form of an Eagle in the Cloisters,…
Pieta in the Cloisters, Sept. 2007
Detail of a Pieta in the Cloisters, Sept. 2007
Detail of a Pieta in the Cloisters, Sept. 2007
Lion Passant in the Cloisters, Sept. 2007
Detail of the Lion Passant in the Cloisters, Sept.…
Three Kings from an Adoration Group in the Cloiste…
Detail of one of the Three Kings from an Adoration…
Detail of one of the Three Kings from an Adoration…
Detail of one of the Three Kings from an Adoration…
Pair of Effigies in the Cloisters, Sept. 2007
Detail of the Effigy of Cecilia of Foix in the Clo…
Detail of the Effigy of Alvaro Rodrigo de Cabrera…
Detail of an Effigy of a Woman in the Cloisters, S…
Detail of an Effigy of a Woman in the Cloisters, S…
Tomb Effigy of Ermengol VII in the Cloisters, Sept…
Detail of the Sword of the Effigy of Jean d'Alluye…
Detail of the Effigy of Jean d'Alluye in the Clois…
Stained Glass from Ebreichsdorf in the Cloisters,…
Exterior of the Gothic Chapel in the Cloisters, Se…
Exterior of the Gothic Chapel in the Cloisters, Se…
Standing Bishop in the Cloisters, Sept. 2007
Detail of the Preparation of Christ's Body for Ent…
The Arrest of Christ and Christ in Limbo Panels fr…
Panels from a Tabernacle in the Cloisters, Sept. 2…
Detail of a Figure of a King in the Cloisters, Sep…
Figure of a King in the Cloisters, Sept. 2007
Kneeling Virgin in the Cloisters, Sept. 2007
Detail of the Kneeling Virgin in the Cloisters, Se…
Kneeling Virgin in the Cloisters, Sept. 2007
Kneeling Virgin in the Cloisters, Sept. 2007
Detail of the Sepulchral Monument of Ermengol X in…
Detail of the Sepulchral Monument of Ermengol X in…
Sepulchral Monument of Ermengol X in the Cloisters…
The Cloisters, Sept. 2007
The Cloisters from a Distance, Sept. 2007
Exterior of the Langon Chapel in the Cloisters, Se…
Exterior of the Cloisters, Sept. 2007
Exterior Architecture of the Cloisters, Sept. 2007
View of the George Washington Bridge from the Cloi…
View of the George Washington Bridge from the Cloi…
The Battlements at the Cloisters, Sept. 2007
Fountain in the Saint-Guilhem Cloister in the Cloi…
The Saint-Guilhem Cloister in the Cloisters, Sept.…
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St. Barbara in the Cloisters, Sept. 2007


Saint Barbara, ca. 1500
French, probably Strasbourg
Lindenwood and polychromy; H. 50 1/8 in. (127.2 cm)
The Cloisters Collection, 1955 (55.166)
The 1874 sale of a Saint Catharine and a Saint Barbara from the Beinhaus of Kippenheim, on the east bank of the Rhine, and their subsequent history suggest that The Cloisters sculpture and another recorded with it, in the Historisches Museum, Basel, may well be the missing figures that belonged with sculptures of similar size of Saint Mauritius and Pope Gregory the Great that flanked a standing Virgin and Child in the altarpiece on the high altar of the Mauritiuskirche, Kippenheim. A comparison of the proportions, the modeling of the face and features, and the configuration of the massive drapery folds with those of the Virgin seems to confirm this provenance.
The colorful richness of the altarpiece can be judged by the figure, which retains much of its original polychromy and appliqué decoration of molded-and-gilt wax brocade. Intricate foliate vine scrolls create arches over the five standing figures. These sculptures continue the monumental style and tradition of the late fifteenth century as developed in Strasbourg, particularly in the work of Niclaus Gerhaert von Leiden.
Text from: www.metmuseum.org/toah/hd/grmn_3/ho_55.166.htm
French, probably Strasbourg
Lindenwood and polychromy; H. 50 1/8 in. (127.2 cm)
The Cloisters Collection, 1955 (55.166)
The 1874 sale of a Saint Catharine and a Saint Barbara from the Beinhaus of Kippenheim, on the east bank of the Rhine, and their subsequent history suggest that The Cloisters sculpture and another recorded with it, in the Historisches Museum, Basel, may well be the missing figures that belonged with sculptures of similar size of Saint Mauritius and Pope Gregory the Great that flanked a standing Virgin and Child in the altarpiece on the high altar of the Mauritiuskirche, Kippenheim. A comparison of the proportions, the modeling of the face and features, and the configuration of the massive drapery folds with those of the Virgin seems to confirm this provenance.
The colorful richness of the altarpiece can be judged by the figure, which retains much of its original polychromy and appliqué decoration of molded-and-gilt wax brocade. Intricate foliate vine scrolls create arches over the five standing figures. These sculptures continue the monumental style and tradition of the late fifteenth century as developed in Strasbourg, particularly in the work of Niclaus Gerhaert von Leiden.
Text from: www.metmuseum.org/toah/hd/grmn_3/ho_55.166.htm
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