Shot with Agfa Parat-I
Walking late April
Mark on one of his last days
M visiting after a couple of years
Cherries and hops
Ten seconds of downtown in fireworks
Jake watching his dead grandfather sing
Testing the new 8mm lens for M4/3
Closer focus
Neighbour's garden
Snaps
Abusing the photographer
ESE night sky
New gallery; new lens
Steve
Illegal aliens
We don't live here for the weather. Whew.
Close focus
Leopard Marsh Orchid
Film end. Or near enough to say so.
Blond amanita?
Turtle Island
A half minute later
A and D in my office
Steve on film that expired in 1979
Trouters
Rare in these parts
Zeiss Ikon Contessa
Getting sluggish after supper.
91 years old 56 years ago
C and B
Still spring colours
Another pair from the Dry Dock
Dry dock
Eagle outside the window
Muggin'
The Garden
Vince and me
Mentor, Mentee
Bob gets his MA
K getting hooded
Walking
Pigeons, posing
What the scanner saw
Listening to the radio
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A looking out the window


During the past winter, a friend cleaned out his freezer & cupboards
and gave me the couple of dozen rolls of film that turned up. Among
them were a few rolls of Ektachrome 50 Tungsten that expired in
November 1979. This is from the test shoot of that film, one roll in
my Mamiyaflex tlr, rating it at ISO25 and developing it as C41. The
negatives are very dense and next roll I am going to *under*expose by
a stop (shoot it at 100) to try and get easier-to-scan negatives.
The roll had several decent pictures if, like me, you don't mind
weird colours, or if you don't mind pictures converted to b&w. I have
tried a half-dozen different ways to process this picture, but this is
the one I like best, and it is the one the least digital distance from
the straight, cross-processed image.
and gave me the couple of dozen rolls of film that turned up. Among
them were a few rolls of Ektachrome 50 Tungsten that expired in
November 1979. This is from the test shoot of that film, one roll in
my Mamiyaflex tlr, rating it at ISO25 and developing it as C41. The
negatives are very dense and next roll I am going to *under*expose by
a stop (shoot it at 100) to try and get easier-to-scan negatives.
The roll had several decent pictures if, like me, you don't mind
weird colours, or if you don't mind pictures converted to b&w. I have
tried a half-dozen different ways to process this picture, but this is
the one I like best, and it is the one the least digital distance from
the straight, cross-processed image.
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