Minnie's always willin' to pose
Southside Road
Symes' Bridge
Three travelling buddies
Two Dolfi Popes
Bell tower with light leaks
Orvieto cats
The three friends photographing their pet in Flore…
Bella ciao bella ciao bella ciao ciao ciao
Massimo, a modern-day penitent, a would-be prophet
The promise broken again
Do not ask
At a birthday party
Quiet afternoon
32 degrees at Cape Bonavista
New drain, old water
Passing the chips stands
Water from my grandfather's spring well
Damaged negatives
Motion Bay
At the cape
Coprology? Is that the word?
Jack in the rain
Three of A.
Mernlaw's doodads
Stairwell
I like funerals. I mean, I don't *really* like fun…
A glass this big
Ray's store doing the Twist. Slowly.
Iceberg in the Arm
Line-up at the signing
Turned
Sits on top of the record player
Good thing it has stabilisation
The cat interested in the camera
Three ways
The cat posing for a fisheye
Tom watching the construction
Stink Punk
Watching the icebergs
Still imploding
Icebergs, this afternoon
Book in car-door pocket
The cabaret of a gentleman
Side of concrete
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76 visits
Oldest house in the cove


I'm just getting back into developing my own film and, as usual, I'm
not being very careful. This was a several-years-expired roll of
Legacy Pro 100 film which I shot nearly two and a half years ago, left
lying around in the meantime and finally developed this week. I
wasn't very careful about spooling the film and thus left some
undeveloped patches. I wasn't careful about the developer, its
temperature, its agitation, nor its time. I likewise wasn't careful
about fixing, aggravated by the poor spooling, so I have some
silvering areas on this roll. That's the greyed-up bits at the top
here. But through all that, I get an image I like.
This poor old house is not being looked after and is going to
collapse, if it doesn't get torn down.
This was shot in the Rollei XF35, a camera I do not like much. It is
nowhere near as robust and solid as its sibling Rollei 35s (like the
35TE I have). But do not blame the camera for the faults of this
picture. They are entirely faults of the photographer / darkroom guy.
not being very careful. This was a several-years-expired roll of
Legacy Pro 100 film which I shot nearly two and a half years ago, left
lying around in the meantime and finally developed this week. I
wasn't very careful about spooling the film and thus left some
undeveloped patches. I wasn't careful about the developer, its
temperature, its agitation, nor its time. I likewise wasn't careful
about fixing, aggravated by the poor spooling, so I have some
silvering areas on this roll. That's the greyed-up bits at the top
here. But through all that, I get an image I like.
This poor old house is not being looked after and is going to
collapse, if it doesn't get torn down.
This was shot in the Rollei XF35, a camera I do not like much. It is
nowhere near as robust and solid as its sibling Rollei 35s (like the
35TE I have). But do not blame the camera for the faults of this
picture. They are entirely faults of the photographer / darkroom guy.
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