The Number 14 Bus Blasting Off – Balmy Alley, Miss…
Bus Stop – Folsom Street at 24th Street, Mission D…
Death Becomes Him – Fisherman’s Warf, San Francisc…
"The Ole Barn Dance ... Music by the 'Mountin' Boy…
The Barber Shop "Quart" – Musée Méchanique, Pier 4…
"The Thimble Theatre" – Musée Méchanique, Pier 45,…
"Laffing Sal" – Musée Méchanique, Pier 45, Fisherm…
The Former Royal Theatre – 1529 Polk Street, Nob H…
The Palace of Fine Arts – Marina District, San Fra…
The Tragedy of Life Without Art – Palace of Fine A…
The Rotunda – Palace of Fine Arts, Marina District…
"The Struggle for the Beautiful" – Palace of Fine…
The Colonnade – Palace of Fine Arts, Marina Distri…
Life Complements Art – Palace of Fine Arts, Marina…
Lines and Curves – Palace of Fine Arts, Marina Dis…
Under the Top – Palace of Fine Arts, Marina Distri…
A Priestess of Culture – Palace of Fine Arts, Mari…
Not Your Average Garden Planters – Palace of Fine…
Ode on Grecian Urns – Palace of Fine Arts, Marina…
The Golden Gate Bridge – Viewed from Fort Point, P…
The Golden Gate Bridge – Viewed from Crissy Field,…
San Francisco Bay Trail – Crissy Field, Presidio,…
The Warming Hut Café – Crissy Field, Presidio, San…
500 Years of Native Survival – Balmy Alley, Missio…
Mission District Triptych – Balmy Alley, Mission D…
Hommage to Archbishop Romero – Balmy Alley, Missio…
Las Milagrosas – Balmy Alley, Mission District, Sa…
Those We Love, We Remember – Balmy Alley, Mission…
Rejoice – Balmy Alley, Mission District, San Franc…
Father Richard Purcell, In Loving Memory – Balmy A…
Mission Makeover – Balmy Alley, Mission District,…
The Moon – Balmy Alley, Mission District, San Fran…
The Sun – Balmy Alley, Mission District, San Franc…
Rising from the Ash Cans – Balmy Alley, Mission Di…
After the Storm – Balmy Alley, Mission District, S…
In the Hands of a Visionary – Balmy Alley, Mission…
Things Fall Apart – Balmy Alley, Mission District,…
Victorion: El Defensor de la Mission – Balmy Alley…
From Cradle to Grave – Balmy Alley, Mission Distri…
A New Dawn – Balmy Alley, Mission District, San Fr…
The Fifth Sacred Colour – Balmy Alley, Mission Dis…
Three Sacred Colours – Balmy Alley, Mission Distri…
Pancho Villa Mural – Taqueria Vallarta, 24th Stree…
The Coat of Arms of Mexico – Taqueria Vallarta, 24…
Alley Cat Books – 24th Street Between Treat and Ha…
Location
Lat, Lng:
You can copy the above to your favourite mapping app.
Address: unknown
You can copy the above to your favourite mapping app.
Address: unknown
See also...
Street Art, No Graffiti – Street art, pas de graffiti
Street Art, No Graffiti – Street art, pas de graffiti
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
1 206 visits
Manjushri – Balmy Alley, Mission District, San Francisco, California


In Buddhism, a bodhisattva is an enlightened (bodhi) being (sattva). Traditionally, a bodhisattva is anyone who, motivated by great compassion, has experienced a spontaneous wish to attain Buddhahood for the benefit of all sentient beings. In Mahayana Buddhism, Manjushri is a bodhisattva associated with transcendent wisdom. In Esoteric Buddhism he is also taken as a meditational deity. The Sanskrit name Manjushri can be translated as "Gentle Glory", "Soft Glory" , "Wondrous Auspiciousness."
In the mural Manjushri reaches his hand out in a mudra gesture, symbolizing assistance to others. His other hand holds a lotus flower, a symbol of purification and his sword cuts through ignorance.The mural merges iconic images from 17th century Tibetan Art with elements borrowed from Latin American art. It is dedicated to the Dalai Lama.
Marta Ayala is a Latin American woman artist specializing in public murals and paintings. A native of El Salvador, Marta has been a resident of San Francisco since 1968. Her work combines colorful and vibrant images and forms evoking memories from her childhood, ancient cultures and above all, rocks, stones and water. In a sense, Ayala’s work falls into the mainsteam of American art. Her cultural heritage is evident in her primitive approach. In a statement to [me], Marta Ayala sums up her philosophy: "My vision is called primitive because the vivid colors and naive representations call forth ancient emotions. They are a vibrant and powerful affirmation of life."
In the mural Manjushri reaches his hand out in a mudra gesture, symbolizing assistance to others. His other hand holds a lotus flower, a symbol of purification and his sword cuts through ignorance.The mural merges iconic images from 17th century Tibetan Art with elements borrowed from Latin American art. It is dedicated to the Dalai Lama.
Marta Ayala is a Latin American woman artist specializing in public murals and paintings. A native of El Salvador, Marta has been a resident of San Francisco since 1968. Her work combines colorful and vibrant images and forms evoking memories from her childhood, ancient cultures and above all, rocks, stones and water. In a sense, Ayala’s work falls into the mainsteam of American art. Her cultural heritage is evident in her primitive approach. In a statement to [me], Marta Ayala sums up her philosophy: "My vision is called primitive because the vivid colors and naive representations call forth ancient emotions. They are a vibrant and powerful affirmation of life."
, William Sutherland have particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Admired in:
www.ipernity.com/group/tolerance
Sign-in to write a comment.