Digital Pinhole Macro Photography No. 2
Digital Pinhole Macro Photography Setup
Matchbox Ford Thunderbird Stock Car
Film Box Pinhole Camera Loaded
Take 4
Minolta XD11 SLR Pinhole Camera
Pinhole House
Built Ford Tough
Pinhole Body Cap
Pinhole Sony
126 Pinhole Camera
620 Pinhole
620 Pinhole Experiment, Lincoln Mark V Poster On T…
Moonrise
Garden Of The Gods
Argus Carefree
Canon Snappy AF
Polaroid Land Camera OneStep
Samsung L100
Wayne County Fairgrounds, 2010
Hi
Kodak Duaflex II
Stubby The Super Model
Clowning Around
Ohio River
Veteran's Day
1967 Oldsmobile
Police Truck
Doris Longwing
Butterfly House
Autumn Leaves
Carla's New Hat
Nice 'Do
See The Corn Maze
Somebody's Poodle
Autumn In The Cemetery
Hot Rod Pontiac
Custom Shoebox
The Street Where I Live
Gas Station
The Old Bank Building
Mystic Symbol
Alley
Mimmo's Pizza
The Mason Building
See also...
alternative cameras ( lo-fi, polaroid, pinhole, key chain, toys etc)
alternative cameras ( lo-fi, polaroid, pinhole, key chain, toys etc)
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Calotype No. 1


In 1979, I was attending college, majoring in photography. During my first photography course, we all got to learn about cameras and how they worked from the inside out by having to build our own pinhole cameras. Mine was the size of an ordinary box camera and we used cut 8x10 sheets of black and white photo paper as negatives. You could get four "negatives" from one sheet of paper. This is what is/was known as Calotype photography, first used in 1839 by William Henry Fox Talbot.
The college had a darkroom the students could work in, so to be able to use your camera, you had to load one "negative" into your homemade camera, (in the dark, of course), and then about the only thing readily available as a subject was the college and it's surrounding area - it was located out in the middle of nowhere. I chose some cars in the parking lot, looking off in the direction of the nearest small town. When the picture was taken and developed, you had to contact print it to get your image. This image is actually one of the "negatives" I made 30 years ago, only just rediscovered. I have reversed it so that it becomes a negative image of what was originally a negative image. Now it's a positive image and looks essentially fairly normal. It also has the advantage of being one stage clearer, from not having to contact print it to produce the final, positive image.
Depending on the size of the hole you made for your aperture, you could get more or less detail. I remember experimenting and this image is an earlier shot when the aperture hole was smaller. Later pictures seemed to have lost a little definition, but gained a cool "vignette" effect on the overall image. Being an imprecise science, there is some distortion in this image along the right edge.
The college had a darkroom the students could work in, so to be able to use your camera, you had to load one "negative" into your homemade camera, (in the dark, of course), and then about the only thing readily available as a subject was the college and it's surrounding area - it was located out in the middle of nowhere. I chose some cars in the parking lot, looking off in the direction of the nearest small town. When the picture was taken and developed, you had to contact print it to get your image. This image is actually one of the "negatives" I made 30 years ago, only just rediscovered. I have reversed it so that it becomes a negative image of what was originally a negative image. Now it's a positive image and looks essentially fairly normal. It also has the advantage of being one stage clearer, from not having to contact print it to produce the final, positive image.
Depending on the size of the hole you made for your aperture, you could get more or less detail. I remember experimenting and this image is an earlier shot when the aperture hole was smaller. Later pictures seemed to have lost a little definition, but gained a cool "vignette" effect on the overall image. Being an imprecise science, there is some distortion in this image along the right edge.
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