Götz Kluge's photos
Anthropomorphic Landscapes
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I used this small image in a comment to publicdomainreview.org/collections/the-art-of-hidden-faces-anthropomorphic-landscapes
Antropomorphism isn't about faces only. Actually, humans have two pairs of cheeks. One pair of these cheeks is part of our faces. The other pair of cheeks is elswhere on our bodies. (If sitters are sitters, you don't see that pair too well.) In the example below from one of Henry Holiday's illustration to Lewis Carroll's "The Hunting of the Snark" (engraved by Joseph Swain) , Holiday wasn't inspired by John Martin's "The Bard" only. He also altered his allusion to that painting by giving the rocks the shape of our lower second pair of cheeks. And he also copied a small pattern from Martin's painting which doesn't contribute to the appearance of his illustration. Thus, this pattern simply may serve as a hint to the beholders of his Snark illustration that Holiday didn't steal anything from John Martin. Henry Holiday was an honest conundrum builder.
Did you find the antropomorphic "cheeks" on the rocks in the detail from Henry Holiday's illustration, which I mounted as an inset into John Martin's "The Bard"?
The Vanishing & Thomas Cranmer's Burning
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See also: http://snrk.de/knight-letter-100 (2018)
Sources:
commons.wikimedia.org/wiki/File:Cranmer_burning_foxe.jpg
www.ipernity.com/doc/goetzkluge/19289289
www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3066133&partId=1&people=122781&peoA=122781-1-9&page=1
IT WAS A BOOJUM
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This is Henry Holiday's back cover illustration to Lewis Carroll's The Hunting of the Snark (1876).
Originally, the illustration was in black and white.
Huge (and perhaps not manageable for slow computers with small memory):
8000 × 12966
From a comment (1876) by Henry Holiday which he wrote on a letter from Lewis Carroll (Source: Sothebys ):
"L.C. has forgotten that ‘the Snark’ is a tragedy…"
The Hunting of the Snark is not a nonsense poem, it's a tragedy. I think that this tragedy is about what happens when the search of truth turns into fanaticism.
Planned redesign of the entrance of the former Roc…
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It's my plan. I still have to discuss the redesign with the owners of the building.
Source of modified image: commons.wikimedia.org/wiki/File:GE_Building_entrance.jpg
Tools: GIMP (copying, mirroring and transplanting image elements; Retinex filtering; perspective correction)
Surrounded by Monsters
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Gustave Doré: Don Qixote (1863)
Matthias Grünewald: The Temptation of St. Anthony (c. 1512-1516)
Henry Holiday: The Beaver's Lesson (in The Hunting of the Snark , 1876)
The Vivisector
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Gabriel Cornelius von Max:
The Vivisector (1883)
Neue Pinakothek, Munich
See also: www.academia.edu/9962213/Lace-Making_An_Infringement_of_Right
Bonnet Head
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[left]: Mirror view of Henry Holiday's depiction of a bonnet (the hat, not the sail) and "the maker of Bonnets and Hoods" in Lewis Carroll's The Hunting of the Snark (1876)
[right]: The Image Breakers (1566-1568) by Marcus Gheeraerts the Elder
See also: www.academia.edu/12105957/The_Boots
h40 - Care and Hope
How to make The Omnipotent even more omnipotent
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William Blake's "The Omnipotent" or " The Ancient of [Bad Hair] Days " (1794)
New version of www.ipernity.com/doc/goetzkluge/20986205
h12 - Butcher and Beaver
h20 - BellmansMap
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10000 x 15627
Very Large version of www.ipernity.com/doc/goetzkluge/19289369
Source: 1st edition of Lewis Carroll's The Hunting of the Snark (1876)
h11 - The Snark Hunting Party
h10 - The Landing
h60 - Snark Court
h70 - The Banker's Fate
h30 - The Baker's Uncle
John William Colenso
h50 - Beavers Lesson
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10000 x 14425
Very large version of vectorized www.ipernity.com/doc/goetzkluge/19289329
PDF: www.academia.edu/9856809/The_Beavers_Lesson