Heads by Holiday & Gheeraerts 2000x2000
Uncle's Blanket
The removed "error" had a purpose
The Flaw was no Flaw
Beagle Laid Ashore & Snarked
Mary's and the Baker's Kerchiefs
Details in the Mouth
Two red-headed Boys
The Expression of Emotions
Thomas Cranmer's Burning
Seeing Letters, Skulls and Faces
John Martin's King
Trial of a sow and pigs at Lavegny (1457)
Pig Band
Gustave Doré: Les Contes Drolatiques
Schnarkverschlimmbesserung
Ear & Embryo
h80 - The Vanishing
h50 - Beavers Lesson
John William Colenso
h30 - The Baker's Uncle
h70 - The Banker's Fate
h60 - Snark Court
Waistcoat Poetry
Recycled Bellman Draft
The Paranoiac-Critical Method serves the Art of De…
Henry Holiday's Snark Hunt on Bēhance
Darwin's snarked Study
The Residence of Henry Holiday
Alice and the Cheshire Cat
Alice & Cheshire Cat by Tenniel, Forests by Hill a…
Liddell & Boyd (Alice in the looking glass works)…
W. R. Hill: Alice in Wonderland
Who inspired who?
Easter Greeting
Alice is gone
He stood on his head till his waistcoat turned red
Grünewald and Holiday
Cooling down in Taipei
Visit of Saint Anthony to Saint Paul
Illustration for "Violinschule" by Henry Holiday
Snarking or Gnashing
Fun with Allusions
Firehouse in Tainan
Ear & Embryo
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Heads by Henry Holiday and Marcus Gheeraerts the Elder


513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.

2011-12-12

2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image. Sometimes Holiday mirrored his pictorial quotes: Here Holiday vertically flipped the "nose" of Gheeraert's "head". I flipped it back.

2011-12-12

2014-02-22
As for the image on the top of this page:
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to the chapter "The Banker's Fate" in Lewis Carroll's "The Hunting of the Snark" (scanned from an 1876 edition of the book)
[right]: a redrawn and horizontally compressed and reproduction of "The Image Breakers" (1566-1568) aka "Allegory of Iconoclasm", an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). Also I flipped the "nose" vertically.
CC BY-NC-ND 3.0 Version, 2000x2000: www.ipernity.com/doc/goetzkluge/36260048
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1st comparison: 2009-01-07
The Paul Juraszek Monolith (by Marcus Wills, 2006)
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