multicolor box
mussel women
all art is quite useless
des chats
reaching for the void
silvery objects with boxfish
two birds
got those old asemic blues
talkin' 'bout that weird beast
trees by steinweiss
the object of their attention
say the word
the purple yoni
let it bleed
rollage: haeckel
rollage: morris
rollage: land/cloudscape
rollage: baboon
cute little hatchlings (parasaurolophus)
artistamps: horses
artistamps: anna banana
nine little abstracts
because iron is why blood is red
adventures in pet walking
the cobbler's dream
government redaction
an american in cincinnati
they're watching us
it takes balance
mr. bones at myth and legends bingo night
no laughing matter
stars 'n' stripes 'n' vaguely menacing melons
our allies need eggs
"the birds": polka-dot bikini version
ten thousand things
tacky overlaps with creepy
the fatal book opened!
big tooth, big shark
le rouge et le vert (deux)
le rouge et le vert (un)
wacko shapes
envelope for jen
contained chaotic curves
abstract of abstracts
celebration of u.s. postal service
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background: william morris


No, I don't know where the alien face (mask?) came from. It was in a rack of postcards with no info on the backs. I liked it so much I bought several. (Bad habit, that.)
But this isn't about the foreground. This series is about my sharing with you some of my supplies—in this case, patterns for backgrounds. I adore William Morris patterns: they make anything in the foreground look fine, even a weirdo insectoid clay face. This blue-and-white floral pattern came from a book titled William Morris: Giftwraps by Artists.
But this isn't about the foreground. This series is about my sharing with you some of my supplies—in this case, patterns for backgrounds. I adore William Morris patterns: they make anything in the foreground look fine, even a weirdo insectoid clay face. This blue-and-white floral pattern came from a book titled William Morris: Giftwraps by Artists.
buonacoppi, Tim Lukeman have particularly liked this photo
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