Rusting Ship, and No Water
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A Toast to the Host
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Chilonzor
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Bodomzor
Mustakilik Maydoni
Bunyodkor
Pakhtakor
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Inside Ribat of Harthouma
"Life of Brian" Backdrop
Our First Stop in Tunisia
One Entrance
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Full Moon and Kalta Minor
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On the Roof, Dvorets Emira Bukharskogo
Tomb of Shaykh Baha-ud-Din
Osh with Asal and her Family
Terrace View while Sipping Tea
A Random House Museum we Passed
Indian Inspired Chor Minor Madrassah
Breakfast at our Caravansary Hotel
Looking out from Kalon Mosque
Ismail Samoni Mausoleum
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Walls of the “Ark”, Bukhara’s Fortress
Cay in a Converted Caravansary
Ak-Saray Palace, Shakhrisabz
There was a Piece of Rope
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Soviet Avant-Garde


The Savitsky Collection, from what I gather, contains more than 80,000 artworks, most banned or frowned upon during the Soviet times. Especially during Stalin's time at the helm of the USSR, the only acceptable art form was "socialist realism" - art which showed communism in a positive way, showed ideal citizens living and working for the common good, and always showed an optimistic present and future. Strength, health, work, and benefits should be features of the art.
In a little corner of the Union, in the desert of current Karakalpakstan Repubilc (ostensibly part of Uzbekistan), Savitsky gathered together his substantial collection of controversial art. Creators of these works were likely to suffer persecution and anonymity for their efforts. Far from the watchful eye of Moscow, and with good rapport with the local community, he even got support to create spaces to exhibit these works, which were taboo in the rest of the USSR.
It is now considered one of the great collections of works from Soviet artists, most who may have remained anonymous had Savitsky not gathered and protected them.
In a little corner of the Union, in the desert of current Karakalpakstan Repubilc (ostensibly part of Uzbekistan), Savitsky gathered together his substantial collection of controversial art. Creators of these works were likely to suffer persecution and anonymity for their efforts. Far from the watchful eye of Moscow, and with good rapport with the local community, he even got support to create spaces to exhibit these works, which were taboo in the rest of the USSR.
It is now considered one of the great collections of works from Soviet artists, most who may have remained anonymous had Savitsky not gathered and protected them.
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