Eduard Adolphe Colin by Reutlinger
Emilia Van der Linden by Jalport Mons
Marguerite Vaillant-Couturier by Nadar
Stella de la Mar by Numa Fils
Pierre Francois Villaret by Carjat
Luisa Tetrazzini
Aino Ackte by unknown
Etienne Gibert
Eugenio Giraldoni
Marcelle Demougeot autographed
Olympia Boronat
Marguerite Carre by Reutlinger
Aino Ackte by Unknown
Paul Aumonier by Studio Lux
Hedwig Francillo-Kauffmann by Brasch
Ellen Brandt-Foerster by Szekely
Maria Gay by Stockmann
Feodor Chaliapin by Russian Studio
Alexandra Pavlovna Krutikova by Bergamasco
Theodor Reichmann by Krziwanek
Riccardo Martin by Dupont
Hansel & Gretel Cast by Atelier Adele
Marie Gutheil-Schoder by Szekely
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Spanish tenor
6 Dec 1856 - Feb 1914
. He first studied law, but then took to singing under Martin Salazar and the legendary tenor Enrico Tamberlick. He made his debut as Lorenzo at the Teatro Real in Madrid in 1878, in Auber’s opera “Fra Diavolo.” From 1880 he sang in Italy, making his first appearance at the Teatro Brunetti in Bolgona in Ponchielli’s opera “I Promessi Sposi,” followed by performances in several provincial theatres throughout Italy, in operas such as “La Favorita,” “Faust,” “Puritani” and “La Sonnambula.”
In 1882 he sang in Buenos Aires, in 1884 in Wien and in 1885 in St. Petersburg. To Milan’s La Scala he arrived in 1883, making his debut as Gounod’s “Faust,” which led to a successful collaboration for nearly a decade, the milanese audiences eventually dubbing him “Il Piccolo Gayarre,” after the great Spanish tenor.1 At La Scala he sang in the first Italian version of Bizet’s “Les Pechêurs de Perles” (1886), and in 1891 as Turiddu in the first performance of Mascagni’s “Cavalleria Rusticana,” a role he also created for Firenze. He made a further name for himself in 1895, when he sang the role of “Werther” at La Scala.
Valero enjoyed engagements at several important international opera stages: Berlin, Lisboa, Chicago; at London’s Covent Garden (1899, 1901), where he made his debut in a role that soon were to become his, Don José in Carmen, but his single most important performance here was perhaps his Duke in Rigoletto in 1901, opposite Nellie Melba’s Gilda and Jean Lasalle’s Rigoletto. The Met saw him during the 1901-02 season, during which he performed in Cavalleria Rusticana (Turiddu was his debut role with the opera in New York), Rigoletto, Martha and Carmen. He was yet again considered a stunning Don José, now his official gloss role.
In 1897, and at the end of his career, he suffered a pulmonary desease and had to interrupt his singing for a longer period. He eventually retired in 1902 and settled in St. Petersburg, where he opened a vocal academy. He passed away in this city in February 1914.
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