Maurice Declery Autograph
Ben Williams Autograph
Geraldine Farrar Autograph
Lucien Muratore Autograph ??
Rene Lapelletrie Autograph
Alfred Piccaver Autograph
Henri Albers Autograph
Julius Lieban Autograph
William Miller Autograph
Theodor Lattermann Autograph
Zelie De Lussan Autograph
Edith Helena Autograph
Margaret Lavine Tame Autograph
Anne Williams Autograph
Guy Cazenave Autograph
Fritz Krenn Autograph
Leon Ponzio Autograph
Marguerite Carre by Nadar
Maurice Renaud by Benque
Marie Thierry by Reutlinger
Maurice Renaud by Benque
Marguerite Carre by Nadar Autographed
Eugene Charles Caron By A Maze
Lilli Lehmann Autograph
Jorgen Bendix Autograph
Blanche Marchesi Autograph
Jean-Francois Delmas Autograph
Alexander Kirchner Autograph
Nellie Melba Autograph
Gaetano Pini-Corsi Autograph
Maria De Macchi Autographed
Alice Esty Autograph
Hippolyte Belhomme Autograph
Lucy Berthrand-Beranger Autograph
Derek Oldham Autograph
Dolly Castles Autograph
Marie Gutheil-Shroder Autograph
Berta Kiurina Autograph
Yvonne de Treville Autograph
Albert Alvarez Autograph
Maurice Renaud by Cautin Berger
Lucienne Breval by Paul Berger
Maurice Renaud by Benque
Maurice Renaud by Benque
Jean Frances Delmas by Benque
Lillian Nordica Autograph


LILLIAN NORDICA
(Lillian Norton)
1857-1947
American soprano,
Nordica grew up from the age of six in Boston, studied at the New England Conservatory of Music, and then gave recitals in the United States and London before resuming study in Milan. In 1879 she made her debut in Milan as Donna Elvira in W.A. Mozart’s Don Giovanni and in Brescia, Italy, as Violetta in Giuseppe Verdi’s La traviata. After singing in many Italian, German, and Russian cities, she made her Paris Opéra debut in 1882 as Marguerite in Charles Gounod’s Faust.
In 1887 Nordica first appeared in London at Covent Garden and until 1893 performed there and at Drury Lane in such parts as Lucia, Donna Elvira, and Aida. In 1894 she was engaged at Bayreuth, Germany—the first American to be so honoured—as Elsa in Richard Wagner’s Lohengrin, and her tumultuous reception was such that she thereafter concentrated on Wagnerian parts. In 1895 she sang Isolde at the Metropolitan Opera in New York City, where she remained until 1909, excelling especially as Brünnhilde and Kundry. After retiring from the Metropolitan, she launched a world farewell tour that ended in 1913 when her ship grounded in the Gulf of Papua in December. She contracted pneumonia and died of complications of the disease.
(Lillian Norton)
1857-1947
American soprano,
Nordica grew up from the age of six in Boston, studied at the New England Conservatory of Music, and then gave recitals in the United States and London before resuming study in Milan. In 1879 she made her debut in Milan as Donna Elvira in W.A. Mozart’s Don Giovanni and in Brescia, Italy, as Violetta in Giuseppe Verdi’s La traviata. After singing in many Italian, German, and Russian cities, she made her Paris Opéra debut in 1882 as Marguerite in Charles Gounod’s Faust.
In 1887 Nordica first appeared in London at Covent Garden and until 1893 performed there and at Drury Lane in such parts as Lucia, Donna Elvira, and Aida. In 1894 she was engaged at Bayreuth, Germany—the first American to be so honoured—as Elsa in Richard Wagner’s Lohengrin, and her tumultuous reception was such that she thereafter concentrated on Wagnerian parts. In 1895 she sang Isolde at the Metropolitan Opera in New York City, where she remained until 1909, excelling especially as Brünnhilde and Kundry. After retiring from the Metropolitan, she launched a world farewell tour that ended in 1913 when her ship grounded in the Gulf of Papua in December. She contracted pneumonia and died of complications of the disease.
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