Edouardo Garbin & Rosina Storchio
Edouardo Garbin & Rosina Storchio
Lise Landouzy
Leonard Yakovlev
Leonard Yakovlev
Nina Koshetz
Nina Koshetz
Nina Friede
Nina Friede
Ivan Ershov
Ivan Ershov
Ivan Ershov
Vladimir Kastorsky
Vladimir Kastorsky
Lucien Muratore
Vasily Sevastyanov
Vasily Sevastyanov
Vasily Sevastyanov
Vasily Sevastyanov
Gavril Morskai
Gavril Morskai
Ivan Grizounov
Ivan Grizounov
Mariya Slavina
Mariya Slavina
Mariya Slavina
Piotr Olenin
Maria Guschina
Maria Guschina
Mikhail Karakash
Mikhail Karakash
Lev Klementiev
Lev Klementiev
Anna Makletskaya
Marie Delna
Vanni Marcoux
Angelo Masini
Angelo Masini
Angelo Masini & Mattia Battistini
Mattia Battistini
Mattia Battistini
Mattia Battistini
Mattia Battistini
Mattia Battistini
Maria Kouznetsova
See also...
Mademoiselle MONROSE


Mademoiselle MONROSE
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
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