Marie Moreau-Sainti by Disderi
Emil Gotze by Reichard & Linder
Eduard Nawiasky by Katharina Culie
Mario by Disderi
Bessie Abbot
Marie Brema by Ritzmann
Marie Brema by Aime Dupont
Adelaide Phillips by Unknown
Mily Meyer by Chalot
Leo Slezak
Leo Slezak
Leo Slezak
Titta Ruffo autographed
Emil Scaremberg
Fernand Francell
Fernand Francell
Fernand Francell
Fernand Francell
Emmy Destinn
Emmy Destinn
Emmy Destinn
Emmy Destinn
Emmy Destinn
Marie Renard by Adele
Ernst Van Dyke & Marie Renard by Adele
Emma Albani by Sarony (2)
Louise Grandjean Autographed reverse 1909
Louise Grandjean Autograph 1909
Louise Grandjean
Louise Grandjean
Louise Grandjean
Louise Grandjean
Louise Grandjean
Louise Grandjean
Louise Grandjean
Elias Nathan by Bureau
Bernadine Hamakers By Disderi
Marie Blanch Peschard by Maunoury
Giulia Sanchioli-de-Filippi by Unknown
Pauline Viardot-Garcia by Carjat (1)
Geneviève Vix
Geneviève Vix
Geneviève Vix
Geneviève Vix
Geneviève Vix
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Théophile-Adolphe Manoury by Pierre Petit


Manoury as The count of Nevers - Opera Meyerbeer 'Les Huguenots'
Théophile Adolphe Manoury
(December 16, 1846 - June 16, 1909)
French Baritone.
1871 -1874 studied at the conservatoire de Paris, where he took lessons from Messrs. Crosset, Obin and Mokr. Debut Opéra-Comique, 1874, in the Favorite. He remained member of the National Academy of music until 1880. He signed a commitment with the Théâtre de Marseille. He then left for Turin and performed at the Theatre Royal many roles in Italian operas. 1882 at la Scala in Milan, then at la monnaie in Brussels, in the role Massenet's Hérodiade, finally at the Théâtre des Arts in Rouen. Sang in Marseille, Lyon, Nice, Bordeaux Left for America (end of 1889) where he was chosen to head the vocal Department at the national Conservatory in New York. Returned to Paris in 1893,Appointed Professor at the conservatoire de Paris on April 25, 1903, he also opened a singing scholl at his home in Paris,
Théophile Adolphe Manoury
(December 16, 1846 - June 16, 1909)
French Baritone.
1871 -1874 studied at the conservatoire de Paris, where he took lessons from Messrs. Crosset, Obin and Mokr. Debut Opéra-Comique, 1874, in the Favorite. He remained member of the National Academy of music until 1880. He signed a commitment with the Théâtre de Marseille. He then left for Turin and performed at the Theatre Royal many roles in Italian operas. 1882 at la Scala in Milan, then at la monnaie in Brussels, in the role Massenet's Hérodiade, finally at the Théâtre des Arts in Rouen. Sang in Marseille, Lyon, Nice, Bordeaux Left for America (end of 1889) where he was chosen to head the vocal Department at the national Conservatory in New York. Returned to Paris in 1893,Appointed Professor at the conservatoire de Paris on April 25, 1903, he also opened a singing scholl at his home in Paris,
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