Alice Ducasse (Reverse) by Unknown
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Alice Ducasse by Unknown


ALICE DUCASSE
(Anne-Elisa Alice Ducasse)
1841-19??
Chillian Soprano
pupil of M. Laget and Mmes Duprez and Miolan-Cavalho. At the Théâtre Lyrique under Pasdeloup and Vizentini she sang various roles at that theatre, creating Mab in Bizet's La jolie fille de Perth, as well as Nérine in L'irato by Méhul (November 1868), Formosa in En Prison by Guiraud (March 1869), and Thérèse in Don Quichotte by Boulanger (May 1869) .At the Opéra Comique she created Léna in the 1872 premiere of La princesse jaune, and Frasquita in the 1875 premiere of Carmen, as well as singing in the first Opéra Comique performances of works premiered elsewhere: Jacqueline in Le médecin malgré lui in 1872, Stefano in Roméo et Juliette in 1873, a shepherd in the 1874 revival of Le pardon de Ploërmel, Nicette in the 1871 revival of Le Pré aux clercs Mirza in the 1876 production of Lalla-Roukh, Rita in the 1877 revival of Zampa and Papagena in the 1879 production of The Magic Flute.
After appearing as Marceline in The Marriage of Figaro in May 1882, Ducasse left the stage to take up teaching
(Anne-Elisa Alice Ducasse)
1841-19??
Chillian Soprano
pupil of M. Laget and Mmes Duprez and Miolan-Cavalho. At the Théâtre Lyrique under Pasdeloup and Vizentini she sang various roles at that theatre, creating Mab in Bizet's La jolie fille de Perth, as well as Nérine in L'irato by Méhul (November 1868), Formosa in En Prison by Guiraud (March 1869), and Thérèse in Don Quichotte by Boulanger (May 1869) .At the Opéra Comique she created Léna in the 1872 premiere of La princesse jaune, and Frasquita in the 1875 premiere of Carmen, as well as singing in the first Opéra Comique performances of works premiered elsewhere: Jacqueline in Le médecin malgré lui in 1872, Stefano in Roméo et Juliette in 1873, a shepherd in the 1874 revival of Le pardon de Ploërmel, Nicette in the 1871 revival of Le Pré aux clercs Mirza in the 1876 production of Lalla-Roukh, Rita in the 1877 revival of Zampa and Papagena in the 1879 production of The Magic Flute.
After appearing as Marceline in The Marriage of Figaro in May 1882, Ducasse left the stage to take up teaching
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