Emma Eames By Falk
Ada Crossley by AimeDupont
Pol Plancon by Aime Dupont
Josephine de Reszke by Mulnier
Marie Geistinger by Unknown
Agatha States by Bradley & Rulofson
Adelaide Neilson by Reutlinger
Christine Nilsson by Reutlinger (11)
Christine Nilsson by Atelier (8)
Christine Nilsson by Mora (7)
Christine Nilsson by Burt Sharp (6)
Pauline Lucca by Loescher & Petsch
Pauline Lucca by Unknown
Pauline Lucca by Sarony
Pauline Lucca by Luckhardt
Pauline Lucca by Sarony
Bella Alten by Aime Dupont
Clara Louise Kellogg by Gurney
Clara Louise Kellogg by Unknown
Clara Louise Kellogg by Cravers
Clara Louise Kellogg by Unknown
Euphrosyne Parepa-Rosa by Gurney
Euphrosyne Parepa-Rosa by Stinson
Carlotta and Barbara Marchisio by Disderi
Barbara Marchisio by Unknown (Disderi image)
Zelia Trebelli By Bergamasco
William Castle by Gurney & Sons (1)
Ambrose Thomas by Carjat
Fromental Halevy by Disderi
Teresa Boschetti by Disderi
Madam Estagel by Radoult Vaury & Co
Marie Sasse by Disderi (4)
Rosina Penco by Disderi
Marietta Alboni by Mayer & Pierson
Emma Albani by Schemboche (3)
Mario by Sarony
Marie Geistinger by Sarony
Christine Nilsson by Sarony (9)
Adelina Patti by unknown (12)
Adelia Patti by Disderi
Celine Anna Van Ghell by Reutlinger
Pauline Viardot-Garcia by Disderi (2)
Adelina Patti by Reutlinger (11)
Adelina Patti by Reutlinger (10)
Adelina Patti by Reutlinger (9)
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
519 visits
Adolphe Nourrit by Franck


ADOLPHE NOURRIT
(3 March 1802 – 8 March 1839)
French Tenor
Adolphe studied voice with Manuel García, a famous tenor of the time, and at 19 years of age he made his successful debut at the Paris Opéra as Pylades in Christoph Willibald Gluck’s Iphigénie en Tauride. Within five years he succeeded his father as the leading tenor at the Paris Opéra. During the next decade, Nourrit created such new roles in leading French operas as Aménophis in Gioacchino Rossini’s French version of his Mosè in Egitto, Arnold in Rossini’s Guillaume Tell, Eléazar in Fromental Halévy’s La Juive, for which Nourrit wrote the lyrics of the aria “Rachel, quand du seigneur,” Robert in Giacomo Meyerbeer’s Robert le diable, and Raoul in his Les Huguenots. He also wrote scenarios for four ballets, among them La Sylphide, and translated some of Franz Schubert’s songs for French performance.
(3 March 1802 – 8 March 1839)
French Tenor
Adolphe studied voice with Manuel García, a famous tenor of the time, and at 19 years of age he made his successful debut at the Paris Opéra as Pylades in Christoph Willibald Gluck’s Iphigénie en Tauride. Within five years he succeeded his father as the leading tenor at the Paris Opéra. During the next decade, Nourrit created such new roles in leading French operas as Aménophis in Gioacchino Rossini’s French version of his Mosè in Egitto, Arnold in Rossini’s Guillaume Tell, Eléazar in Fromental Halévy’s La Juive, for which Nourrit wrote the lyrics of the aria “Rachel, quand du seigneur,” Robert in Giacomo Meyerbeer’s Robert le diable, and Raoul in his Les Huguenots. He also wrote scenarios for four ballets, among them La Sylphide, and translated some of Franz Schubert’s songs for French performance.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.