Marie Heilbronn by Benque
Jane Hading by Chalot
Charlotte Sainton-Dolby by H N King
Delphine Ugalde by Reutlinger
Feodor Chaliapin by Unknown
Pedro Gailhardt by Benque
Louise Lablache by Falk
Lillian Blauvelt by Unknown
Lucienne Breval By Reutlinger
Lucienne Breval By Reutlinger
Frances Alda by Reutlinger
Frances Alda by Reutlinger
Frances Alda by Reutlinger
Frances Alda by Reutlinger
Gabriella Krauss by Reutlinger
Hortense Schneider by Disderi
Amalie Materna by Unknown
Lillian Nordica by Unknown
Angelo Masini by Unknown
Francesco Marconi by Esplugas
Jeanne Marcy by Nadar
Carl Mayerhofer by Unknown
Bertha Ehnn By Unknown
Gustave Hippolyte Roger by Reutlinger
Pauline Lauters-Gueymard by Mayer & Pierson
Louis Gueymard by Disderi
Louis Gueymard by Chevalier
Theodore Stephanne by Numa Blanc
Theodore Stephanne by Numa Blanc
Victor Capoul by Mora
Alois Ander by Mahlknecht
Karl Formes by Unknown
Ernesto Niccolini by Stereoscopic Co
Albert Niemann by B J Hirsch's
Rosine Bloch by Reutlinger
Rosine Bloch by Reutlinger
Theodor Wachtel by Sarony
Frederic Archard by Reutlinger
Adelina Patti by Erwin (6)
Marguerite Priola by Reutlinger
Celestina Galli-Marie by Geneve
Paolina Rossini by Mora
Dimitri Andreevich Usatov by Photography of Imperi…
Dimitri Andreevich Usatov by Photography of Imperi…
Lydia Lipkowska by Karastojanow
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
493 visits
Mademoiselle Monrose by Trinquart


Mademoiselle MONROSE
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
(Eugénie Chollet )
1819-1893
French Soprano
She studied voice with Gilbert Duprez
Her debut at the Opéra-Comique was on 24 September 1859 in Ambroise Thomas's Le songe d'une nuit d'été (with Giacomo Meyerbeer in the audience), and she created the role of La Marquise de Villa-Bianca in Thomas's Le roman d'Elvire, premiered on 4 February 1860 by the Opéra-Comique at the second Salle Favart in Paris. She also sang Dinorah in a revival of Giacomo Meyerbeer's Le pardon de Ploërmel, Another creation was Olga in Daniel Auber's La circassienne, premiered on 2 February 1861 by the Opéra-Comique at the second Salle Favart, Another role was La Marquise de Richmond in the Opéra-Comique's revival of Albert Grisar's Le joaillier de Saint-James on 17 February 1862.
She also created the role of Héro in Hector Berlioz's Béatrice et Bénédict on 9 August 1862 at the Theater der Stadt, Baden-Baden .
She was later associated with the Théâtre du Parc in Brussels and the Théâtre des Galeries, Brussels. She retired from singing c. 1880, receiving a pension of 500 francs in 1883 (at age 65).
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.