St Patrick's Cathedral, Armagh
The Deerness Valley Line
A Down Girl at the top of County Down
Ripon Cathedral
Cannon over The Tyne
Coshkib Hill Farm
Yellow Dress in the Window
Knaresborough
The Pulpit, Ripon Cathedral
The Font Ripon Cathedral
The Viaduct, Knaresborough
The Cloisters Lincoln Cathedral
Stott Park Bobbin Mill
The Potting Shed
Ginger at Brimham Rocks
The Altar, Ripon Cathedral
It's That Mistle Thrush Again!
Glasgow Subway at The Riverside Museum, Glasgow
Think I may be under attack!
Drumnahunshin Farm
Speed
The Courtyard, Alnwick Castle
St Johns Co-Cathedral Valletta
A Light by the Cathedral
Wall Mounted Lamp post
Fountains Abbey in HDR
St Mary's Studley Royal
The Cloisters of Durham cathedral in HDR
Durham Cathedral in HDR
Ten 8324
The Photographers Studio
Durham Panorama
High and Dry at Seaton Sluice
The Pulpit of Ripon Cathedral
George Aitken, Rutherglen, Lanarkshire BK86
Grassington, North Yorkshire
The Rusty Gate
Living in the Past
Cluan Place
Steep Hill Lincoln
Castle Hill, Lincoln
Easby Abbey 4
easby Abbey 3
Easby Abbey 2
Easby Abbey 1
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
209 visits
St Patrick's Cathedral Armagh


The origins of the cathedral are related to the construction in 445 of stone church on the Druim Saileach (Willow Ridge) hill by St. Patrick, around which a monastic community developed. The church was and is the centre of the Church of Ireland. Following the Henrician Reformation in Ireland the cathedral became increasingly associated with the then Established Church and has been definitively in Anglican hands since the reign of Elizabeth I. A Roman Catholic cathedral was built on a neighbouring hill in the nineteenth century. Cordial relations exist between both cathedrals.
The church itself has been destroyed and rebuilt 17 times. It was substantially restored between 1834 and 1840 by Archbishop Lord John George Beresford and the architect Lewis Nockalls Cottingham. The fabric remains that of the mediaeval (and earlier – in particular the crypt ) buildings but much restored. While Cottingham was heavy-handed in his restoration the researches of T. G. F. Patterson and Janet Myles in the late twentieth century have shown the restoration to have been notably antiquarian for its time. The tracery of the nave windows in particular are careful restorations as is the copy of the font. The capital decoration of the two western most pillars of the nave (either side of the West Door internal porch) are mediaeval as are the bulk of the external gargoyle carvings (some resited) of the parapet of the Eastern Arm. Cottingham's intention of retaining the richly cusped West Door with flanking canopied niches was over-ruled. Subsequent restorations have more radically altered the internal proportions of the mediaeval building, proportions which Cottingham had retained.
The church itself has been destroyed and rebuilt 17 times. It was substantially restored between 1834 and 1840 by Archbishop Lord John George Beresford and the architect Lewis Nockalls Cottingham. The fabric remains that of the mediaeval (and earlier – in particular the crypt ) buildings but much restored. While Cottingham was heavy-handed in his restoration the researches of T. G. F. Patterson and Janet Myles in the late twentieth century have shown the restoration to have been notably antiquarian for its time. The tracery of the nave windows in particular are careful restorations as is the copy of the font. The capital decoration of the two western most pillars of the nave (either side of the West Door internal porch) are mediaeval as are the bulk of the external gargoyle carvings (some resited) of the parapet of the Eastern Arm. Cottingham's intention of retaining the richly cusped West Door with flanking canopied niches was over-ruled. Subsequent restorations have more radically altered the internal proportions of the mediaeval building, proportions which Cottingham had retained.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2025
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.