Little forest muncher
Beautiful bird, but grainy and blurry photo : (
Four more months to wait
Poppy art
Watchful eye
Feasting on cone seeds
Narrow strip of light
Yesterday's treat - a Great Gray Owl
Remembering a cold, frosty bird count
Smiling in the snow
A view through the bushes
Wild Blue Columbine / Aquilegia brevistyla
A few little wrigglers
Springtime colour
Fort Macleod grain elevator, Alberta
Tall Lungwort / Mertensia paniculata
Well camouflaged, except for those eyes
Rough-Fruited Fairybells / Prosartes trachycarpa
Little church in the valley
McDougall Memorial United Church
A cluster of red barns
Sunlight on distant peaks
Pine Grosbeak enjoying the sun
Snowy Owl - just close enough
A most challenging bird
Davisburg Community Church, Alberta
Northern Pygmy-owl, one year ago
Moose cow looking for salt
Old barn with a different style
Focused, listening, watching
Barn-shaped mailbox
Snow Bunting / Plectrophenax nivalis
Clark's Nutcracker
Downy Woodpecker
Glenmore Dam, Calgary, Alberta
When winter really was winter
Varied Thrush
Common Redpoll on the wire
Male beauty
One of yesterday's Snowy Owls
Fancy silo with stairs
Davisburg Community Church, Alberta
When the clouds roll in
A friendly greeting
Common Redpoll / Carduelis flammea
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A fine old barn


Just over a year ago, on 21 January 2015, my daughter and I spent the day together, out in nature. I know I needed to get out myself and the fact that my daughter asked if we could do that, told me that she, too, desperately needed to get a break from all the sadness and reminders of her big sister/my older daughter for a few hours. Friends had been telling me how important it is to be outdoors with my camera, especially at a time like this, and I knew they were right.
Much as it would have been great to have gone looking for Snowy Owls, I just didn't feel up to that long of a drive. Instead, I drove to a much more familiar, closer area, SE of the city. The day was a mix of sun and cloudiness, and though the sun was in the wrong position for some of our shots, we did OK.
As for birds, we saw a couple of Great Horned Owls, a very distant Snowy Owl, a raptor of some kind (either a Prairie Falcon or a Gyrfalcon), several Gray Partridge and what I think must have been Horned Larks.
The rest of the day, my daughter and I drove mostly roads that we had driven before, except for one short stretch where we found two old, red barns. This day was as much a barn day as a bird day. The large barn in this photo is one that I had been looking forward to finding and seeing for the first time. I would love to have been able to get photos from both sides of it, but it was in a farmer's field that was, of course, private property. There is an old, round, wooden grain bin and a smaller barn just to the left of this photo. The second old barn was just up the road and round the corner from this larger barn.
I think being out with our cameras, driving the backroads, was therapeutic - certainly for me as I could enjoy my daughter's company, and hopefully for her, too.
An interesting link, with the information below, that answers the question: "WHY ARE BARNS USUALLY PAINTED RED?"
home.howstuffworks.com/question635.htm
"If you've ever driven through a rural area, it's likely that you've seen the red barns that speckle the farming landscape. There are several theories as to why barns are painted red.
Centuries ago, European farmers would seal the wood on their barns with an oil, often linseed oil -- a tawny-colored oil derived from the seed of the flax plant. They would paint their barns with a linseed-oil mixture, often consisting of additions such as milk and lime. The combination produced a long-lasting paint that dried and hardened quickly. (Today, linseed oil is sold in most home-improvement stores as a wood sealant). Now, where does the red come from?
In historically accurate terms, "barn red" is not the bright, fire-engine red that we often see today, but more of a burnt-orange red. As to how the oil mixture became traditionally red, there are two predominant theories. One is that wealthy farmers added blood from a recent slaughter to the oil mixture. As the paint dried, it turned from a bright red to a darker, burnt red. The other is that farmers added ferrous oxide, otherwise known as rust, to the oil mixture. Rust was plentiful on farms and is a poison to many fungi, including mold and moss, which were known to grown on barns. These fungi would trap moisture in the wood, increasing decay.
Regardless of how the farmer tinted his paint, having a red barn became a fashionable thing. They were a sharp contrast to the traditional white farmhouse. As European settlers crossed over to America, they brought with them the tradition of red barns. In the mid to late 1800s, as paints began to be produced with chemical pigments, red paint was the most inexpensive to buy. Red was the color of favor until whitewash became cheaper, at which point white barns began to spring up. Today, the color of barns can vary, often depending on how the barns are used."
Much as it would have been great to have gone looking for Snowy Owls, I just didn't feel up to that long of a drive. Instead, I drove to a much more familiar, closer area, SE of the city. The day was a mix of sun and cloudiness, and though the sun was in the wrong position for some of our shots, we did OK.
As for birds, we saw a couple of Great Horned Owls, a very distant Snowy Owl, a raptor of some kind (either a Prairie Falcon or a Gyrfalcon), several Gray Partridge and what I think must have been Horned Larks.
The rest of the day, my daughter and I drove mostly roads that we had driven before, except for one short stretch where we found two old, red barns. This day was as much a barn day as a bird day. The large barn in this photo is one that I had been looking forward to finding and seeing for the first time. I would love to have been able to get photos from both sides of it, but it was in a farmer's field that was, of course, private property. There is an old, round, wooden grain bin and a smaller barn just to the left of this photo. The second old barn was just up the road and round the corner from this larger barn.
I think being out with our cameras, driving the backroads, was therapeutic - certainly for me as I could enjoy my daughter's company, and hopefully for her, too.
An interesting link, with the information below, that answers the question: "WHY ARE BARNS USUALLY PAINTED RED?"
home.howstuffworks.com/question635.htm
"If you've ever driven through a rural area, it's likely that you've seen the red barns that speckle the farming landscape. There are several theories as to why barns are painted red.
Centuries ago, European farmers would seal the wood on their barns with an oil, often linseed oil -- a tawny-colored oil derived from the seed of the flax plant. They would paint their barns with a linseed-oil mixture, often consisting of additions such as milk and lime. The combination produced a long-lasting paint that dried and hardened quickly. (Today, linseed oil is sold in most home-improvement stores as a wood sealant). Now, where does the red come from?
In historically accurate terms, "barn red" is not the bright, fire-engine red that we often see today, but more of a burnt-orange red. As to how the oil mixture became traditionally red, there are two predominant theories. One is that wealthy farmers added blood from a recent slaughter to the oil mixture. As the paint dried, it turned from a bright red to a darker, burnt red. The other is that farmers added ferrous oxide, otherwise known as rust, to the oil mixture. Rust was plentiful on farms and is a poison to many fungi, including mold and moss, which were known to grown on barns. These fungi would trap moisture in the wood, increasing decay.
Regardless of how the farmer tinted his paint, having a red barn became a fashionable thing. They were a sharp contrast to the traditional white farmhouse. As European settlers crossed over to America, they brought with them the tradition of red barns. In the mid to late 1800s, as paints began to be produced with chemical pigments, red paint was the most inexpensive to buy. Red was the color of favor until whitewash became cheaper, at which point white barns began to spring up. Today, the color of barns can vary, often depending on how the barns are used."
Daniel Palacin has particularly liked this photo
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