Waters and Washington
Mallory Bros. Brooks and Halliday
Vaudevillians Supreme: Williams & Walker
Scene from Oscar Micheaux's Within Our Gates
Bohee & Hyers
Sissieretta Joyner Jones
Arabella Fields
Evelyn Preer
Mademoiselle Desseria Plato
The Sport of the Gods
Zaidee Jackson
Johnson and Dean
LaVern Baker
Siblings
The Cole Kids
The Barnes Girls
Plump Cheeked Cherubs
Phillis Wheatley Branch of the YWCA
Littlest Majorette
Billie's Future Poppa
Josephine and her Fans(atics)
Josephine Baker
Josephine Baker
Bessie Dudley
Leonard Harper and His Harperettes
Hall of Famers: Motley, Willis, Tunnell and Ford
Dora Dean Johnson
A Kat in Hiding: George Joseph Herriman
Waller and Horne
Anthony Overton
Alfred Frazier White
Professor Burruss
John G Mitchell, Jr.
John A. Moss
Remembering Horatio J Homer
Fredrick McGhee
Edward Daniel Cannady
Sidney Preston Dones
Charles Henry Douglass
John G Higgins
John Jones
An American Tragedy: Octavis V Catto
Dr. Christopher James Davis
P. H. Polk
George Myers
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Louise 'Jota' Jenkins-Cook


Louise "Jota" Cook backstage in musical revue Connie’s Hot Chocolates, at the Hudson Theatre in 1929.
Louise Cook, nicknamed "Jota" or "Snake Hips," was an exotic dancer in Harlem, who appeared in Oscar Micheaux's breakthrough 1931 film "The Exile."
Louis Armstrong wrote of her, circa 1929, "we had a job down in 'Connie's Inn' in Harlem, at 131st and 7th Avenue. That club and the Cotton Club were the Hottest Clubs in Harlem at that time. I started doubling in "Connie's Hot Chocolate" show, down town ... 'Ol Louise Cook, I shall never forget her, and her dance. She was so wonderful in her 'Shake dance she would take five and six encores."
She was rumored to have been in a relationship at one point with famous white comedian, Milton Berle. In his 1974 autobiography, Berle says of Cook, "She was known as one of the greatest belly dancers in the world, and her act was sensational, with everything going like a flag in a hurricane. She was one of those rare women that men had only to look at to want. And that was even standing still. She was slender, and light-skinned like the color of coffee with too much cream in it, and she had her hair in an afro, which wasn't standard gear then. When she worked, she covered her body with oil that made it shiny and sexy looking."
Milton and Louise had encounters in Beryl's car, parked near Connie's Inn. He wrote: "One night, we were parked in my car up along the Hudson, and she took out a little brown cigarette and lit it. It smelled funny. I asked what it was, and Louise smiled and said, 'Take a puff." I did and it made me cough so hard I nearly vomited. That was the first and last time I ever tried marijuana!"
In 1931 she appeared in Oscar Micheaux's film "The Exile," the first sound feature-length film by an African American director.
Reported in the Afro American (Dec. 24, 1932) edition, J. Hartwell Cook (nephew of famous composer, Will Marion Cook), described as a Washington dancer and composer, obtained an absolute divorce from his wife, Louise (Jota) Cook, star of "Hot Chocolates."
She married singer, Herbert Mills of the famous Mills Brothers sometime in 1936, they would also later divorce.
Milton Beryl wrote that their six month friendship ended when New York Mirror columnist Lee Mortimer threatened to expose the scandal of their interracial romance. Later he wrote that Cook "went the Billie Holiday route with booze and God knows what else." He got word in the mid-1950s that she was in jail and ill in Chicago, and bailed her out "and about three months later I saw to it that poor Louise Cook had a decent funeral."
Her dance number from the 1931 film Exile she comes in at the 1 minute mark: www.youtube.com/watch?v=1Rctc50FwP0
Sources: vip.com; White Studio (NY, NY)
Louise Cook, nicknamed "Jota" or "Snake Hips," was an exotic dancer in Harlem, who appeared in Oscar Micheaux's breakthrough 1931 film "The Exile."
Louis Armstrong wrote of her, circa 1929, "we had a job down in 'Connie's Inn' in Harlem, at 131st and 7th Avenue. That club and the Cotton Club were the Hottest Clubs in Harlem at that time. I started doubling in "Connie's Hot Chocolate" show, down town ... 'Ol Louise Cook, I shall never forget her, and her dance. She was so wonderful in her 'Shake dance she would take five and six encores."
She was rumored to have been in a relationship at one point with famous white comedian, Milton Berle. In his 1974 autobiography, Berle says of Cook, "She was known as one of the greatest belly dancers in the world, and her act was sensational, with everything going like a flag in a hurricane. She was one of those rare women that men had only to look at to want. And that was even standing still. She was slender, and light-skinned like the color of coffee with too much cream in it, and she had her hair in an afro, which wasn't standard gear then. When she worked, she covered her body with oil that made it shiny and sexy looking."
Milton and Louise had encounters in Beryl's car, parked near Connie's Inn. He wrote: "One night, we were parked in my car up along the Hudson, and she took out a little brown cigarette and lit it. It smelled funny. I asked what it was, and Louise smiled and said, 'Take a puff." I did and it made me cough so hard I nearly vomited. That was the first and last time I ever tried marijuana!"
In 1931 she appeared in Oscar Micheaux's film "The Exile," the first sound feature-length film by an African American director.
Reported in the Afro American (Dec. 24, 1932) edition, J. Hartwell Cook (nephew of famous composer, Will Marion Cook), described as a Washington dancer and composer, obtained an absolute divorce from his wife, Louise (Jota) Cook, star of "Hot Chocolates."
She married singer, Herbert Mills of the famous Mills Brothers sometime in 1936, they would also later divorce.
Milton Beryl wrote that their six month friendship ended when New York Mirror columnist Lee Mortimer threatened to expose the scandal of their interracial romance. Later he wrote that Cook "went the Billie Holiday route with booze and God knows what else." He got word in the mid-1950s that she was in jail and ill in Chicago, and bailed her out "and about three months later I saw to it that poor Louise Cook had a decent funeral."
Her dance number from the 1931 film Exile she comes in at the 1 minute mark: www.youtube.com/watch?v=1Rctc50FwP0
Sources: vip.com; White Studio (NY, NY)
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